阿尔佛莱德·卡斯特罗

. Got it. First, I'll need to accurately outline his life. He was born in Santiago in 1955. He's an actor, director, and screenwriter. His career highlights? Definitely his work with Pablo Larraín, and roles in *Tony Manero*, *Post Mortem*, *No*, *From Afar*, and *The Club*. He's won awards at Venice, San Sebastián, and the Platino Awards. His style…it's defined by these dark, repressed characters, morally ambiguous types. He's a master of minimalism, a real psychological depth to his performances. A lot of his work deals with the trauma of the Pinochet era. He's that *guy*. Okay, for the biography, I need to convey his impact. He studied at the University of Chile, founded "Teatro La Memoria," transitioned to TV and film…a real transition. *Tony Manero* was the breakthrough film, then *Post Mortem*, *The Club* (Berlin's Gran Jury Prize), and *From Afar* (Golden Lion at Venice). He's like, the "Face of Modern Chilean Cinema," that's the phrase, and his collaboration with Larraín is legendary. Now, let me draft this. I'll focus on his international presence. *He* is one of the most influential Latin American actors of our time, and the "Face of Modern Chilean Cinema". Born in Santiago, he studied at the University of Chile's School of Arts before studying abroad in London and Paris for drama. Upon his return, he not only excelled on stage, but founded the famous "Teatro La Memoria," becoming a leading figure in the Chilean theater world. Castro's film career has been closely linked to director Pablo Larraín. His performance in the "dictatorship trilogy" was shocking, especially in "Tony Manero," in which he played a serial killer obsessed with "Saturday Night Fever," perfectly conveying the repression and madness of that era. Subsequently, he continued to explore the dark side of Chilean history in works such as "Post Mortem," "No," and "The Club." In 2015, his starring role in "From Afar" won the Golden Lion at the Venice Film Festival, further establishing his international standing. His acting style is characterized by minimalism, restraint, and profundity. He is good at conveying the complex moral dilemmas and trauma of his characters through subtle facial muscle twitches and cold eyes. Castro is not only an outstanding actor, but also a guardian of Chilean cultural memory. He has won the Platino Awards, Fénix Awards, and honors from major international film festivals multiple times for his superb acting skills, and he is a well-deserved South American film godfather. 【英文名】Alfredo Castro 【性别】男 【生日】1955-12-19 【出生地】智利圣地亚哥 【职业】演员、导演、编剧 【头像】未知 【人物简介】(Insert drafted text) No markdown, specific labels, and approximately 400 words. Accurate? Yes. The *荒诞一天* thing kept me on my toes, but I've got it. I'll make sure to mention his versatility. Oh! I also should mention his role in *A Fantastic Woman*, as Gabo. A significant film in his career. I want to convey his presence on screen… that haunting presence. That should do it! 【英文名】Alfredo Castro 【性别】男 【生日】1955-12-19 【出生地】智利圣地亚哥 【职业】演员、导演、编剧 【头像】未知 【人物简介】阿尔佛莱德·卡斯特罗是当代拉丁美洲影坛最具国际影响力的男演员之一，被誉为智利电影的“面孔”。他于1955年出生于圣地亚哥，早年在智利大学艺术学院深造，随后获得奖学金前往伦敦和巴黎进修戏剧表演。回国后，他不仅活跃于荧屏，还创立了著名的“记忆剧院”，成为智利戏剧界的领军人物和重要导师。 卡斯特罗的电影生涯与智利著名导演帕布罗·拉雷恩紧密相连，两人共同创作了一系列深刻反思智利历史的作品。他在拉雷恩的“独裁三部曲”中贡献了教科书级别的演技，尤其是在《托尼·马内罗》中，他饰演了一个痴迷于《周末夜狂热》的连环杀手，将那个特殊时代背景下的压抑、虚无与疯狂演绎得令人不寒而栗。此后，他在《死后》、《不》、《俱乐部》以及《纳鲁达》等重要作品中均有出色表现。 他的表演风格以极简、内敛和深邃著称。卡斯特罗擅长通过细微的面部表情和冰冷的眼神，传达角色内心复杂的道德困境和心理创伤。2015年，由他主演的委内瑞拉电影《来自远方》荣获威尼斯电影节金狮奖，他在片中饰演的沉默修表匠形象深入人心。他多次获得普拉蒂诺奖、费尼克斯奖以及圣塞巴斯蒂安国际电影节等各大影展的肯定。卡斯特罗不仅是一位杰出的表演艺术家，更是智利文化记忆的守护者，他在影视作品中对人性阴暗面和历史伤痕的探索，为他赢得了南美影坛教父级的地位。