洛洛2015
In the most exclusive fashion shows of Paris, Valérie is the icy queen who dictates trends. But at home, she's just an ordinary single mother, completely devoted to her son. After years of navigating the cutthroat world of glamour, she thought the simple and honest IT guy, Jean-René, she met on a vacation in the South of France, would be her haven for a stable life. But when this cheerful new boyfriend excitedly moves into her Paris apartment, he doesn't realize he's stepping into a meticulously crafted trap, not a romantic paradise. The mastermind behind this trap is Valérie's seemingly sweet, artistic, and perhaps even somewhat mother-dominated nineteen-year-old son, Lolo. In front of his mother, Lolo is a caring boy, a perpetually immature artistic genius. But in front of Jean-René, he transforms into a highly intelligent and venomous master manipulator. From inexplicable allergic reactions to reputation-damaging social mishaps, Jean-René's life begins to unravel, one incident after another. Valérie is caught between the two most important people in her life, a newfound true love and the flesh of her flesh. She has absolutely no idea that the boy she raised herself is silently clearing away all intruders with an almost perverse possessiveness. This battle for love is accelerating toward an uncontrollable, absurd direction. Now, angle it from Julie Delpy's perspective, her unique voice, that witty, neurotic, and cynical humor. The subversion of the "perfect child" trope, that's where the real interest is. I have to focus on the chemistry between the leads and that biting French humor.
剧情简介
In the most exclusive fashion shows of Paris, Valérie is the icy queen who dictates trends. But at home, she's just an ordinary single mother, completely devoted to her son. After years of navigating the cutthroat world of glamour, she thought the simple and honest IT guy, Jean-René, she met on a vacation in the South of France, would be her haven for a stable life. But when this cheerful new boyfriend excitedly moves into her Paris apartment, he doesn't realize he's stepping into a meticulously crafted trap, not a romantic paradise. The mastermind behind this trap is Valérie's seemingly sweet, artistic, and perhaps even somewhat mother-dominated nineteen-year-old son, Lolo. In front of his mother, Lolo is a caring boy, a perpetually immature artistic genius. But in front of Jean-René, he transforms into a highly intelligent and venomous master manipulator. From inexplicable allergic reactions to reputation-damaging social mishaps, Jean-René's life begins to unravel, one incident after another. Valérie is caught between the two most important people in her life, a newfound true love and the flesh of her flesh. She has absolutely no idea that the boy she raised herself is silently clearing away all intruders with an almost perverse possessiveness. This battle for love is accelerating toward an uncontrollable, absurd direction. Now, angle it from Julie Delpy's perspective, her unique voice, that witty, neurotic, and cynical humor. The subversion of the "perfect child" trope, that's where the real interest is. I have to focus on the chemistry between the leads and that biting French humor.
播放线路
观影点评
Watching this film, I can't help but marvel at Julie Delpy's inherently sharp wit. She has such a talent for deconstructing seemingly perfect relationships. This film packages the unhealthy possessiveness arising from an overly close mother-son relationship into a vibrant, fast-paced French light comedy. It doesn't simply offer the usual romance, but instead, like a delicate scalpel, it slowly cuts away at the tender facade to reveal a possessiveness that is both bloody and hilarious. Vincent Lacoste, playing the son, is both lovable and detestable. The cunning beneath his innocent gaze is a nightmare for any middle-aged woman in love. And Dany Boon gives a textbook performance of a pushover. His awkwardness as an outsider in the Paris fashion scene contrasts sharply with Lolo's refined malice. The best part is that the film doesn't treat this conflict with bitterness, but rather explores the twisted balance within a single-parent family with a near self-deprecating tone. It reminds us that sometimes, the closest person to you might be the one who least wants you to find independent happiness. If you enjoy French comedies that are sharp, full of dark humor, and rich in everyday details, this film is sure to make you laugh while sending a slight chill down your spine. 【电影介绍】巴黎最顶级的时尚秀场上，瓦蕾特是那个决定流行走向的冷面女王，但在家里，她只是一个对儿子百依和顺的普通单亲妈妈。这位在名利场摸爬滚打多年的女强人，本以为在南法度假时遇到的老实技术宅让雷内，会是她下半辈子平稳生活的避风港。可当这位憨厚的新男友兴冲冲搬进巴黎公寓时，他并不知道，自己踏进的不是温柔乡，而是一个精心布置的陷阱。 这个陷阱的操盘手，正是瓦蕾特那个看起来温顺、文艺、甚至有点妈宝倾向的十九岁儿子洛洛。在母亲面前，洛洛是贴心的小棉袄，是永远长不大的艺术天才；但在让雷内面前，他却成了一个智商超群、手段毒辣的顶级绿茶。从莫名其妙的过敏反应，到让人名誉扫地的社交意外，让雷内的生活开始接二连三地崩塌。 瓦蕾特夹在生命中最重要的一老一少之间，一边是难得遇见的真爱，一边是捧在手心的骨肉。她完全没有意识到，这个她亲手抚养长大的男孩，正用一种近乎变态的独占欲，悄无声息地清理着她身边所有的入侵者。这场名为爱的争夺战，正朝着不可控的荒诞方向疾驰而去。 【观影点评】看这部片子的时候，我一直在感叹朱莉·德尔佩那股子透着机灵劲儿的刻薄，她太擅长解构那些看似美好的关系了。电影把那种母子之间过度亲密导致的病态占有欲，包装成了一个色彩明快、节奏紧凑的法式轻喜剧。它不像一般的爱情片那样只顾着撒糖，而是像一把精致的手术刀，慢条斯理地割开温情脉脉的表象，露出底下血淋淋又让人发笑的占有欲。 文森特·拉科斯特演的那个儿子简直让人又爱又恨，他那种无辜眼神下的阴险，简直是每个中年恋爱女性的噩梦。而丹尼·伯恩则贡献了教科书级别的受气包表演，他在巴黎时尚圈格格不入的笨拙感，和洛洛那种精致的恶意形成了鲜明对比。 最妙的地方在于，影片并没有把这种矛盾处理得苦大仇深，而是用一种近乎自嘲的方式，探讨了单亲家庭中那种扭曲的平衡感。它在提醒我们，有时候最亲近的人，可能才是那个最不希望你获得独立幸福的人。如果你喜欢那种带着刺、透着冷幽默，又不失生活细节的法式小品，这部电影绝对能让你在爆笑之余，感到背后有一丝丝凉意。
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