黑处有什么2015
The best part about this film is that it doesn’t just revolve around who the killer is. Instead, it delves into the oppression and absurdity of that era. Wang Yichun, the director, uses this really personal, female perspective to weave together a coming-of-age story with a serial killer plot. It builds this sense of unease that slowly envelops you. What is in the darkness? The film suggests it's not just the killer, but also the societal taboos around sex, the unspoken hypocrisy of the adult world, and the stifling monotony of small-town life. Su Xiaotong's performance is so pure, like a blank canvas against this grimy background. It's like a long, damp afternoon nightmare. Just when you think you're waking up, you find those shadows are already etched deep within you.
剧情简介
The best part about this film is that it doesn’t just revolve around who the killer is. Instead, it delves into the oppression and absurdity of that era. Wang Yichun, the director, uses this really personal, female perspective to weave together a coming-of-age story with a serial killer plot. It builds this sense of unease that slowly envelops you. What is in the darkness? The film suggests it's not just the killer, but also the societal taboos around sex, the unspoken hypocrisy of the adult world, and the stifling monotony of small-town life. Su Xiaotong's performance is so pure, like a blank canvas against this grimy background. It's like a long, damp afternoon nightmare. Just when you think you're waking up, you find those shadows are already etched deep within you.
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观影点评
【电影介绍】一台吱呀作响的落地扇，几支五分钱的冰棒，还有空气里挥之不去的铁锈与机油味，九十年代初的中原飞机厂大院里，生活原本像一潭粘稠的死水。初中生曲靖正处在那个对世界充满好奇又莫名畏缩的年纪，她每天观察着大人们在厂区里循规蹈矩，看着好友张雪抹上偷来的红嘴唇在街头招摇过市。然而，这片看似平静的家属区，却被一连串惊悚的强奸杀人案撕开了幽暗的口子。 曲靖的父亲是个被边缘化的法医，他总是在那些冰冷的尸体上寻找真相，却因为性格迂腐执拗，成了同事眼里的笑话。与他形成鲜明对比的，是那个靠拳头和直觉破案、破案率极高却难掩粗暴的张警官。当张雪在一次莫名的争执后凭空消失，曲靖才猛然发现，那些藏在荒草丛里、废弃防空洞里、甚至是邻居意味深长的眼神里的黑影，正一点点向她逼近。每个人看起来都像是凶手，每一处灯光照不到的地方，都仿佛有一双眼睛在窥视。 【观影点评】这部片子最妙的地方在于，它并没有把重心放在寻找真凶的感官刺激上，而是把镜头对准了那个时代特有的压抑与荒诞。导演王一淳用一种极具私人化的女性视角，把少女青春期的生理觉醒与连环杀人案诡异地编织在一起，让那种不安感像潮水一样慢慢浸透观众。它像是一部中国版的少女成长录，只不过背景色调是灰蒙蒙的工业小镇和令人胆寒的草丛。 黑处到底有什么？其实黑处不只有那个游荡的凶手，更有那个时代对性的讳莫如深，有成人世界里心照不宣的伪善，还有小镇生活中那种令人窒息的平庸与集体失声。苏晓彤的表演干净得像一张白纸，精准地捕捉到了少女在面对成人世界恶意时的那份迷茫。这部电影像是一场漫长而潮湿的午后噩梦，当你以为太阳升起就能驱散阴影时，却发现那些名为成长的代价，早已在黑暗中完成了最残酷的洗礼。
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