Scud's work has always been known for challenging taboos and having the ultimate visual impact, but in this movie, I feel a kind of gentle sadness. He crams grand themes such as life and death, gender, lust and soul, all into an almost absurd road movie framework. What is most talked about is that the film's inspiration actually comes from the real-life "possession" experience the male lead had during the filming of his previous work. This intertwined background of reality and illusion adds a layer of eerie and fascinating filter to the viewing process. He Fei's performance has a fragile and pure beauty, he travels between different bodies, as if looking for a place to accommodate the souls of all those who are marginalized by society. This is not only a pioneering work exploring transgender and queer culture, but also a long poem about loneliness and redemption. If you are tired of conventional narratives and want to see something with a strong visual impact and a great imagination, then this "Bodyshop" is definitely worth your careful tasting. 【电影介绍】一个被命运彻底揉碎的年轻灵魂，在最绝望的时刻选择了告别，却意外开启了一场跨越国境的灵魂漂泊。这部作品绝非你预想中那种阴森恐怖的惊悚片，它更像是一场带着体温的幻梦。故事的主角是一个惨遭凌辱后离世的小兵，他的魂魄流连在灵堂，最后一次亲吻母亲的额头，随后便化作一缕轻烟，附身在不同的人身上，开始了一段寻找亲人与自我的旅程。 他像一个淘气的旁观者，从台湾的潮湿街道游荡到日本的樱花树下，从西班牙的热烈阳光跨越到泰国的异域风情。他附身于路人，去探望已经变性、远走他方的哥哥，也试图介入陌生人的罗曼史，惩治那些不忠的灵魂。然而，即便拥有了超自然的力量，他依然无法拯救在爱情中屡败屡战、遇人不淑的姐姐。这种无力感让他最终流落到了香港，走进了一间挂着修车房招牌、实则经营着惊世骇俗业务的神秘处所。在那里，他遇到了志同道合的伙伴，也迎来了一段意想不到的奇缘。 【观影点评】导演云翔的作品向来以挑战禁忌和极致的视觉尺度著称，但在这一部里，我读到了一种近乎温柔的哀伤。他把生死、性别、肉欲与灵魂这些宏大的命题，全部塞进了一个近乎荒诞的公路片框架里。最让人津津乐道的是，电影的灵感竟然源于男主角在拍摄前作时遭遇的真实附身经历，这种虚实交错的背景让观影过程多了一层引人入胜的神秘滤镜。 主演贺飞的表演有一种脆弱而纯净的美感，他穿梭在不同躯壳之间，仿佛在替所有被社会边缘化的人寻找一个可以安放灵魂的角落。电影的画面色彩浓郁得像要滴下来，每一帧都充斥着导演强烈的个人风格，将肉体的原始张力与灵魂的空灵感融合得恰到好处。这不仅是一部探讨跨性别与酷儿文化的先锋之作，更是一首关于孤独与救赎的长诗。如果你厌倦了循规蹈矩的叙事，想尝试一点视觉冲击力极强且脑洞大开的东西，那么这家名为尸房菜的异色餐厅，绝对会给你留下难以磨灭的味觉记忆。