(Viewing Review). 【电影介绍】 The series grabs you right from the start. Imagine, a regular office worker hops into a taxi, takes a deep breath, and then blurts out that classic detective line: "Follow that car!" It’s not a high-stakes chase or a movie scene; it’s just a person having a sudden, absurd moment of theatricality. This is the first taste of the delightful weirdness that *Non-Rem no Mado* serves up. Bakarythm, the mastermind behind the script, has this uncanny ability to unearth the quirky ideas that are hidden within the everyday routine. The first episode, written by Bakarythm, pivots around this hilarious clash between a passenger’s desire to be a hero and the driver's exasperated response. The second episode, penned by Takeshi Takemura, takes a darker turn. A disgraced TV director ends up working for a company that fabricates fake news. The conflict revolves around the ethics versus survival in a world where the lines between reality and fiction are blurred. 【观影点评】 Watching this series is like being pulled into a lucid dream by a mischievous friend. Bakarythm's writing has this magnetic quality. He can take the most ordinary situations and explode them with a dose of hilarious, deadpan humor. It's that "deadpan serious absurdity" that I find utterly refreshing, like a mental massage for the modern mind. The tension between the "ordinary" and the "extraordinary" in Episode 1 is so well-played. I'm thinking of how the actors like Nakamura Tomoya and Koyuki, without being named specifically, just add so much to the story. In the second story, there's the creeping feeling of unease as the director blurs the line between truth and lies, all for survival. The show perfectly captures those hidden, often unnoticed ironies of life. It makes you chuckle, but it also gets you thinking. It’s a beautifully crafted series that's both entertaining and thought-provoking. 【电影介绍】一个普通的上班族钻进出租车，深吸一口气，对着司机吐出那句只存在于警匪片里的经典台词：师傅，跟上前面那辆车！这可不是什么跨国追捕，也不是在拍电影，而是一个平凡人突发奇想的演技大爆发。这就是《非快速眼动之窗2025新春》带给我们的第一个荒诞瞬间。这部由鬼才编剧笨蛋节奏领衔的系列作，总是能精准地捕捉到那些藏在日常生活缝隙里的奇思妙想，把我们最隐秘的脑洞搬上大银幕。 在第一篇故事里，当那句中二感爆棚的台词落地，车内的空气瞬间凝固。乘客在后座暗爽，试图维持那种冷酷的特工气场，而司机则陷入了职业生涯最大的疑惑。这种建立在日常与非日常交界处的尴尬与张力，被笨蛋节奏玩出了花儿。你以为这只是个关于虚荣心的冷笑话？随着车轮转动，这场追逐戏码竟然逐渐滑向了一个谁也预料不到的奇妙终点。 而到了第二个故事，画风一转，带我们进入了一个更细思极恐的世界。中村伦也饰演的综艺导演松永，因为被冤枉而丢了饭碗。正当他走投无路时，神秘女性小雪向他伸出了橄榄枝。新公司看起来高端大气，可业务内容却让人背后发凉：他们不报道新闻，他们只制造假新闻。当虚构成了工作，当谎言被包装成真相，松永在权力的快感与道德的边缘反复横跳，一场关于虚实博弈的游戏就此拉开序幕。 【观影点评】看这部片子就像是在半梦半醒之间，被一个爱恶作剧的朋友拉进了一场清醒梦。它精准地切中了当代人那种想要逃离现实、却又被现实紧紧拽住的微妙心理。笨蛋节奏的剧本向来有种魔力，他能把最微不足道的琐事拆解开，再填入满溢的冷幽默。那种一本正经胡说八道的劲儿，简直是给大脑做了一场深度按摩。 演员阵容更是神仙打架，中村伦也那种游走在精英与颓废之间的气质，和这类荒诞剧简直是绝配。而古田新太、原田泰造这些老戏骨的加入，让每一个细微的表情都充满了戏味。片中那些看似随意的对话，其实都藏着对社会潜规则的辛辣讽刺。它在逗你发笑的同时，又冷不丁地扎你一下，让你忍不住去想：我们每天深信不疑的现实，到底有多少是真实存在的？ 这不只是一部贺岁SP，它更像是一份送给成年人的奇幻指南。它告诉我们，生活里那些突如其来的尴尬和离谱，或许正是通往另一个精彩世界的入口。如果你厌倦了循规蹈矩的叙事，想看点脑洞大开又不落俗套的东西，那么这部作品绝对能让你在某个深夜，发出一声会心的苦笑。那种看完之后脊背微凉却又想拍手称快的余韵，正是它最迷人的地方。