圣殇2012
In the shadowy, damp metalworking district along the Cheonggyecheon Stream, Lee Kang-do moves like a soulless harvester, mechanically taking the limbs of those at the bottom of society. He is a professional debt collector, and if debtors cannot pay, he coldly sends them into the stamping machine, using the insurance money from their maimed bodies to settle the debt. This man has no past, no emotions, and even pain seems to be castrated. Until one day, a mysterious woman with a sorrowful look suddenly bursts into his life, kneels before him, and weeps, claiming that she is his birth mother who abandoned him thirty years ago. At first, Kang-do uses the most extreme and perverted methods to humiliate and test her, hoping to drive away the uninvited guest, but this woman accepts all the humiliation and is even willing to cut her own flesh for him. When this demon, who has always lived in a cold hell, first feels the warmth of being cared for, when he begins to rely on this belated maternal love like a child, the wheel of fate turns to the most bizarre angle. He doesn't know how much honey is hidden in this sudden redemption and how much deadly arsenic is wrapped up in it. The film needs to get under your skin. Kim Ki-duk is a master of this. It's not just a thriller; it’s a deep dive into human nature, the horrors that we are capable of. It’s got religious undertones, obviously, with the title *Pieta*. The themes of redemption and revenge are central. And the acting... especially Jo Min-su, she's amazing. Her performance is haunting. Now for the next part, my review.
剧情简介
In the shadowy, damp metalworking district along the Cheonggyecheon Stream, Lee Kang-do moves like a soulless harvester, mechanically taking the limbs of those at the bottom of society. He is a professional debt collector, and if debtors cannot pay, he coldly sends them into the stamping machine, using the insurance money from their maimed bodies to settle the debt. This man has no past, no emotions, and even pain seems to be castrated. Until one day, a mysterious woman with a sorrowful look suddenly bursts into his life, kneels before him, and weeps, claiming that she is his birth mother who abandoned him thirty years ago. At first, Kang-do uses the most extreme and perverted methods to humiliate and test her, hoping to drive away the uninvited guest, but this woman accepts all the humiliation and is even willing to cut her own flesh for him. When this demon, who has always lived in a cold hell, first feels the warmth of being cared for, when he begins to rely on this belated maternal love like a child, the wheel of fate turns to the most bizarre angle. He doesn't know how much honey is hidden in this sudden redemption and how much deadly arsenic is wrapped up in it. The film needs to get under your skin. Kim Ki-duk is a master of this. It's not just a thriller; it’s a deep dive into human nature, the horrors that we are capable of. It’s got religious undertones, obviously, with the title *Pieta*. The themes of redemption and revenge are central. And the acting... especially Jo Min-su, she's amazing. Her performance is haunting. Now for the next part, my review.
播放线路
观影点评
Director Kim Ki-duk, with this masterpiece that won the Golden Lion at the Venice Film Festival, once again demonstrates his precise and cold storytelling skills like a scalpel. The whole film is like a modern religious tragedy that takes place on a wasteland. The film's title, Pieta, is taken from Michelangelo's sculpture of the same name, implying the Virgin Mary's mourning of the suffering Christ, but the film presents a distorted mother-son relationship that is suffocating. Lee Jung-jin shows the astonishing transformation from extreme brutality to extreme fragility, while Cho Min-su's performance is even described as godlike, with her eyes containing both maternal compassion and a deepness that sends shivers down your spine. The director mercilessly peels away the sores of human nature under capitalist society, vividly depicting the alienation of people by money. This is not just a suspense film about revenge; it is more like a cruel baptism about sin and punishment, love, and hate. When you think you see the dawn of hope, it is actually the guide light to a deeper abyss. After watching it, the oppressive feeling stuck in your throat and the complex reflections on human nature will linger in your mind for a long, long time. Okay, no Markdown, no forbidden openings. Natural flow. Section headers are in the correct format. I think this works. I want to convey how unsettling, how *raw* this film is. The metaphor I was thinking of... a poisonous flower, a sharp blade wrapped in velvet. That kind of beauty, that kind of danger. It's a film that stays with you. 【电影介绍】 在清溪川那片阴暗、潮湿、充斥着机器轰鸣声的五金作坊区，李江道像一个没有灵魂的收割机，机械地收割着那些底层穷人的肢体。他是个职业讨债人，如果欠债者还不起钱，他就会冷静地把对方送进冲压机，用致残后的保险金来抵债。这个男人没有过去，没有情感，甚至连痛觉都像被阉割了一样，活得像一块长满铁锈的生铁。 直到有一天，一个眼神哀戚的神秘女人突然闯入了他的生活，跪在他面前痛哭流涕，声称自己就是三十年前抛弃他的亲生母亲。起初，江道用最极端、最甚至有些变态的方式去羞辱和试探她，试图以此拆穿这个不速之客的谎言，可这个女人却全盘接受了所有的凌辱，甚至表现出愿意为他牺牲一切的决绝。 当这个一直活在冰冷地狱里的恶魔第一次感受到被照料的温暖，当他开始像个孩子一样产生依赖感时，这段扭曲的母子关系却悄然滑向了不可控的深渊。江道并不知道，这份迟来的救赎背后，其实是一场已经筹谋良久的、足以将他彻底摧毁的阴谋。 【观影点评】 金基德导演用这部拿下了威尼斯金狮奖的杰作，再次向世人展示了他那手术刀般精准且冷酷的叙事功力。整部电影就像一出发生在工业废墟上的现代宗教悲剧，片名圣殇取自米开朗基罗的同名雕塑，本意是圣母对受难基督的哀悼，但在电影里，这种神圣的情感被置换成了最原始、最血腥的爱恨纠葛。 李廷镇演出了那种从极致残暴到极致脆弱的惊人转变，而赵敏修的表演更是堪称神级，她的眼神里既有母性的慈悲，又藏着一种让人脊背发凉的深邃。导演极其残忍地剥开了金钱社会下人性的疮痍，把人与人之间的掠夺与补偿描写得淋漓尽致。 这不仅仅是一部关于复仇的悬疑片，它更像是一场关于罪与罚、救赎与毁灭的残酷洗礼。它会让你在感到生理性不适的同时，又不由自主地为那种极致的情感张力所震撼。当你以为自己看到了希望的曙光时，其实那是通往更深处地狱的引路灯。看完之后，那种如鲠在喉的压抑感和对人性复杂的思考，会在你的脑海里盘旋很久很久。
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