请叫我英雄
Here's this guy, Suzuki Hideo, and you just don't see any sign of heroism in him. He's a man in his thirties, stuck as an assistant in a cramped manga studio, meekly facing the drawing board every day, and enduring his girlfriend's sarcasm. His only solace is this legal hunting rifle, but he even has to practice holding it in front of a mirror. Until that day, the world collapsed without warning. Have you ever seen zombies that retain their obsessions from their lives? After the ZQN virus swept across Japan, the streets were no longer filled with uniform, mindless zombies, but with monsters muttering about overtime pay, desperately practicing high jumps, and even bowing in apology. When Hideo witnessed his live-in girlfriend twisting into a monster crawling with reversed joints and lunging at him, his mediocre life was completely shattered. He carried a heavy koto bag, which contained his last bit of courage, and fled with Hiromi, a half-human, half-zombie high school girl. In this lawless post-apocalyptic world, they hid in a shopping center occupied by survivors. It was like a small-scale microcosm of society, where the baseness and nobility of human nature fermented madly in the enclosed space. That man who had always considered himself ordinary, even somewhat cowardly, had to face the ultimate question when confronted with the hordes of zombies: in this crazy world, what price must an ordinary person pay to be worthy of the name "hero"?
剧情简介
Here's this guy, Suzuki Hideo, and you just don't see any sign of heroism in him. He's a man in his thirties, stuck as an assistant in a cramped manga studio, meekly facing the drawing board every day, and enduring his girlfriend's sarcasm. His only solace is this legal hunting rifle, but he even has to practice holding it in front of a mirror. Until that day, the world collapsed without warning. Have you ever seen zombies that retain their obsessions from their lives? After the ZQN virus swept across Japan, the streets were no longer filled with uniform, mindless zombies, but with monsters muttering about overtime pay, desperately practicing high jumps, and even bowing in apology. When Hideo witnessed his live-in girlfriend twisting into a monster crawling with reversed joints and lunging at him, his mediocre life was completely shattered. He carried a heavy koto bag, which contained his last bit of courage, and fled with Hiromi, a half-human, half-zombie high school girl. In this lawless post-apocalyptic world, they hid in a shopping center occupied by survivors. It was like a small-scale microcosm of society, where the baseness and nobility of human nature fermented madly in the enclosed space. That man who had always considered himself ordinary, even somewhat cowardly, had to face the ultimate question when confronted with the hordes of zombies: in this crazy world, what price must an ordinary person pay to be worthy of the name "hero"?
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观影点评
This is, for me, a peak of Asian zombie films. It doesn't have that Hollywood-style, overpowered individual heroism, but is instead filled with a chilling sense of realism. Director Shinsuke Sato captures the brokenness of daily life to the extreme, and the zombie designs are really amazing. The grotesque body horror. The subtle character arc of a coward becoming a hero. I'm really drawn to that. The contrast between the mundane and the horrific, it's something. And the shotgun is a key, for sure. The chemistry of the cast, Yo Oizumi really nails that. I can see the fear and the courage in his eyes. Kasumi Arimura and Masami Nagasawa are wonderful, and add humanity to an otherwise dark film. I find myself focusing on how the film takes on the idea of rules. A world where the zombies cling to their former societal rules. But the main character, because he has his morality, he stands out. It's all just really clever, that balance between black humor and the bloody mayhem. The climax is a sensory overload. If you are burned out on those films with the god-mode heroes, give this one a shot. See what an ordinary person can do. 【电影介绍】 在这个名叫铃木英雄的男人身上，你完全找不到半点英雄的影子。三十多岁的他，窝在逼仄的漫画工作室里当助手，每天对着画纸唯唯诺诺，还要忍受女友的冷嘲热讽和生活的一地鸡毛。他唯一的慰藉就是那把合法持有的猎枪，可即便在幻觉里，他连摸一下枪都要对着镜子练习半天。直到那天，平静的东京街道毫无征兆地变成了人间炼狱。 你见过那种保留着生前执念的丧尸吗？在名为ZQN的病毒席卷全城后，街上游荡的不再是千篇一律的行尸走肉，而是嘴里嘟囔着加班费、拼命练习跳高、甚至还在不停鞠躬道歉的诡异怪物。当英雄亲眼看着同居女友扭曲成一个反关节爬行的怪物，嘶吼着向他扑来时，他那平庸而琐碎的人生被彻底撕碎了。 他背着沉重的琴包，里面藏着他最后的胆量，在逃亡路上偶遇了半人半尸的女高中生比吕美。在这个秩序荡然无存的世界，他们一路奔向传闻中病毒无法生存的富士山，最终躲进了一座被幸存者占据的购物中心。这里就像一个微缩的原始社会，人性的卑劣与高尚在密闭的空间里疯狂发酵。那个一直自诩平凡、甚至有些懦弱的男人，面对如潮水般涌入的丧尸大军，终于不得不面对那个终极抉择：为了守护身边的人，一个废柴到底能爆发出多大的能量？ 【观影点评】 这绝对是亚洲丧尸片里的一座巅峰，它完全跳出了好莱坞那种开挂式英雄主义的窠臼，反而拍出了一种让人脊背发凉的真实感。导演佐藤信介把那种日常生活的破碎感渲染到了极致，尤其是丧尸的造型设计，简直是每一个重口味爱好者的盛宴。那种诡异的肢体扭动和生前习惯的结合，比单纯的血腥更让人毛骨悚然，那种生活化的恐怖感会顺着脚踝爬上你的后脑勺。 大泉洋的表演堪称整部电影的灵魂，他把一个中年废柴的胆怯、纠结和最后那一刻的觉醒演得入木三分。你会发现，真正的勇气并不是不害怕，而是即便腿抖得像筛糠，即便满脸鼻涕眼泪，依然能为了保护重要的人扣动扳机。而长泽雅美和有村架纯的加入，则在冷酷血腥的末世背景下，为故事注入了极其温柔的底色，那种在绝望中滋生的羁绊感非常动人。 最让我着迷的是电影里那种冷峻的讽刺感。在一个连丧尸都在机械地遵守生前社会规则的世界里，主角却因为固守着文明社会的道德底线而显得格格不入。那种在血浆喷溅中爆发的黑色幽默，以及最后那段长达十几分钟、一气呵成的商场大混战，视听冲击力简直能把人从座位上掀起来。如果你想看一部既有深度肉搏快感，又能让你在看完后对着天花板发呆思考人生的作品，选这部准没错。
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