Honestly, having watched so many historical dramas, Zhang Guoli's version is the most satisfying and the most entertaining. He blends the majesty of an emperor with the everyday life of a regular man perfectly. The thing you always look forward to is that climactic moment: when corrupt officials are still arrogant and overbearing, Kangxi nonchalantly reveals his identity. The satisfaction of that contrast is a pressure-relieving medicine that you just can't get enough of. And the chemistry of the "Iron Triangle" is just amazing in this season. Sandezi's cleverness, Fayin's simple honesty, the liveliness of Xiaotaohong, and Kangxi's strategic mind, make them a perfect investigative team. Although it's using the past to satirize the present, the portrayal of the unwritten rules of officialdom and the state of the people is still sharp enough to make you shout with admiration. Deng Jie's performance in this season is even more amazing. She plays two roles, portraying the grace of Yi Fei and the heroic spirit of Lin Feng'er with completely different souls. The feeling of this kind of trans-temporal reunion makes old fans feel a subtle sadness and relief when they watch it. 【电影介绍】一趟本该寻常的山西私访，却因为一枚刻着金龙的镖头而变得杀机四伏。当那个身背长剑、英姿飒爽的江湖女子林风儿转过头来时，不仅是微服出巡的康熙愣住了，连屏幕前的我们也得倒吸一口凉气。她竟然生了一张和宜妃一模一样的脸，可那股子泼辣野性却又完全不同。这是第四部开篇就抛出的重磅炸弹，直接把观众的好奇心给钩住了。 这一部依然由三个跌宕起伏的单元组成。金镖记里，康熙深陷江湖恩怨，不仅要查清走镖背后的惊天阴谋，还得面对一段剪不断理还乱的替身情缘。紧接着的绫罗记则把镜头对准了宫廷内部的腐败，看三德子和法印如何化身暗访先锋，深入虎穴去揭开那些被锦绣绫罗遮盖住的肮脏勾当。而最后的茶叶记，则是一个关于复仇与正义的凄美故事，江南烟雨中藏着的不仅是茶香，还有民生疾苦。 整部剧就像是一幅流动的市井长卷，康熙不再是那个坐在金銮殿上发号施令的符号，而是一个会为了百姓受苦而拍案而起、会为了红颜知己而犹豫不决的活生生的人。他带着那帮老班底，游走在茶馆、镖局、丝绸铺子之间，在嬉笑怒骂中撕开一张张虚伪的面具。 【观影点评】说实话，看了这么多古装剧，最下饭、最解气的还是张国立老师这一版。他把一个帝王的威严和一个普通男人的烟火气揉捏得恰到好处。你最期待的永远是那个高潮时刻：当贪官污吏们还在耀武扬威、不可一世的时候，康熙爷不紧不慢地亮出身份，那种身份反差带来的爽感，简直是百看不厌的解压良药。 而且这一部里的铁三角默契到了骨子里。三德子的精明、法印的憨直、小桃红的灵动，加上康熙的运筹帷幄，他们就像是一支配合完美的民间探案小队。虽然剧本走的是借古讽今的路子，但里头那些关于官场潜规则、关于民生百态的刻画，放到现在看依然犀利得让人拍案叫绝。 最让我动容的是邓婕老师的表演，她一人分饰两角，把宜妃的端庄和林风儿的侠气演出了截然不同的灵魂。那种明明面容相似却性格迥异带来的宿命感，给这部轻喜剧增添了一抹难得的深情。如果你想找部剧既能看得轻松过瘾，又能品出点人情世故的滋味，那这部经典续作绝对不能错过。