妈妈2013
** Right, so, I'm thinking about *Mama* from 2013, directed by Andrés Muschietti, with Jessica Chastain and Nikolaj Coster-Waldau. The opening shot has to be haunting, like the scene when the girls are found. Two small girls, completely feral, crawling out of an isolated cabin in the dead of winter, having somehow survived five years alone after their father killed their mother and then himself. It's a striking image, right? They're taken in by their uncle, Lucas, and his… frankly, really cool girlfriend, Annabel, played by Chastain. The story really pivots on this attempt to integrate these children back into a normal life, but there's a problem: this "Mama" entity. It's an invisible, almost spectral presence that seems to have a very possessive, jealous attachment to these girls. And that's where the tension lies: domesticity versus a supernatural maternal force that's clearly not playing by the rules. It starts simple. Strange scratches, whispers from nowhere, and the girls talking to empty corners. **
剧情简介
** Right, so, I'm thinking about *Mama* from 2013, directed by Andrés Muschietti, with Jessica Chastain and Nikolaj Coster-Waldau. The opening shot has to be haunting, like the scene when the girls are found. Two small girls, completely feral, crawling out of an isolated cabin in the dead of winter, having somehow survived five years alone after their father killed their mother and then himself. It's a striking image, right? They're taken in by their uncle, Lucas, and his… frankly, really cool girlfriend, Annabel, played by Chastain. The story really pivots on this attempt to integrate these children back into a normal life, but there's a problem: this "Mama" entity. It's an invisible, almost spectral presence that seems to have a very possessive, jealous attachment to these girls. And that's where the tension lies: domesticity versus a supernatural maternal force that's clearly not playing by the rules. It starts simple. Strange scratches, whispers from nowhere, and the girls talking to empty corners. **
播放线路
观影点评
** Okay, so I’m really seeing something here. *Mama* goes beyond jump scares. It’s an exploration of suffocating, almost twisted maternal love. Muschietti uses a gothic, almost fairytale-esque visual style, which is really compelling. And Chastain's performance… incredible. She starts as this reluctant, almost punk rock girlfriend and transforms as she's drawn into this maternal role. You see this gradual development. That growth of protecting the children. The design of "Mama" itself is so grotesquely beautiful, and chilling. Every movement emerging from the shadows is unsettling. The film taps into this primal fear: that the things that are supposed to offer comfort and safety can turn twisted and possessive, and how it leads to a nightmare. The ending is really daring and visually striking. I would have appreciated a different ending, as is, it's pretty good. It's worth turning off the lights and really letting the darkness sink in. You can really feel this love emanating from that darkness. 【电影介绍】 在一座被皑皑白雪覆盖的荒废林间小屋里，搜救人员推开尘封的大门，看到的不是两个等待救援的柔弱孤儿，而是两只在阴影中快速爬行、喉咙里发出野兽般嘶吼的小怪物。这对姐妹在与世隔绝的丛林里奇迹般地生存了五年，没人知道她们靠什么果腹，又是谁在漫漫长夜里抚摸她们的头发。 当叔叔卢卡斯和他的摇滚范儿女友安娜贝尔接纳了这两个孩子，试图将她们带回文明社会时，真正的恐惧才刚刚开始。家里开始出现奇怪的抓痕，墙壁里传出幽怨的低语，而两个女孩总是对着空无一物的角落嬉戏，甜甜地喊着妈妈。 原来，那个在荒野中守护她们的东西并没有留在森林里，它带着扭曲的肢体和偏执的占有欲，一路跟进了这个新家。安娜贝尔发现，自己面对的不止是两个心理受创的孩子，还有一个为了夺回抚养权而不惜跨越生死的恐怖存在。当这种超越自然的母爱变成一种毁灭性的力量，这个原本温馨的避风港瞬间变成了惊悚的囚牢。 【观影点评】 这部电影最妙的地方在于它不仅仅是在吓人，而是在探讨一种令人窒息的、甚至有些病态的母爱。导演安德斯·穆斯切蒂用一种哥特式的凄美画风，把恐怖片拍出了黑暗童话的质感。作为吉尔莫·德尔·托罗监制的作品，影片在视觉上极具冲击力，尤其是那个名为妈妈的灵体，其形象设计充满了怪诞的美感，每一次从阴影中抽离出的动作都让人头皮发麻。 杰西卡·查斯坦在片中的表现极具反差感，她从一个抗拒当母亲、甚至有点排斥小孩的酷女孩，逐渐在恐惧中激发出保护欲，这种角色的成长弧光让电影在惊悚之余多了几分真实的情感厚度。而两个小演员的表现简直神了，那种在野性和人性之间切换的眼神，本身就自带一种让人不寒而栗的气息。 它触碰到了我们内心深处最原始的恐惧：那些本该代表温暖和庇护的东西，如果变得扭曲和疯狂，那才是真正的噩梦。结局的处理非常大胆，它没有走向平庸的合家欢或简单的驱魔套路，而是留下了一个让人心碎又怅然若失的背影。如果你想看一部既能让你心跳加速，又能让你在看完后对着天花板发呆思考良久的片子，这部电影绝对是首选。
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