2023河北卫视元宵诗会
The image that keeps coming to mind is of "Fire Trees and Silver Flowers" (火树银花) – that traditional Lantern Festival visual, transitioning seamlessly from the stage to actual scenic spots. I'm imagining a slowly rotating lantern, reflecting the ancient charm and modern vibrancy of Hebei. This audiovisual feast, named *A Night of Fire Trees and Silver Flowers*, breaks free from the confines of a stage. They've transported the filming directly into the picture-perfect scenery of Hebei's famous cities and landscapes. Picture this: You're standing on the ancient walls of Zhengding, and you can hear the recitations echoing through time. You wander by a shimmering lake and find yourself immersed in the poetic romance. Fang Qiong's welcoming smile is paired with the classic elegance of Ouyang Fenqiang (Yes, Baoyu himself!), and Ren Zhihong's voice, like a rich, aged wine, resonates with a magnetic quality. These performers, in their very delivery, unfurl a scroll of history right before your eyes. Thirty-one hosts come together, not just reciting poetry but engaging in a cross-millennial conversation. From the tender emotions of family love to the grand heroism of patriotism, each word is like an ink drop landing on rice paper, coloring the romantic essence of Chinese modernization. When those familiar, timeless masterpieces blend with authentic ancient architecture and the dazzling lights of a modern city, the cultural impact is so overwhelming that you forget the noise around you. They're weaving the familiar into something fresh, and I'm really drawn to this concept.
剧情简介
The image that keeps coming to mind is of "Fire Trees and Silver Flowers" (火树银花) – that traditional Lantern Festival visual, transitioning seamlessly from the stage to actual scenic spots. I'm imagining a slowly rotating lantern, reflecting the ancient charm and modern vibrancy of Hebei. This audiovisual feast, named *A Night of Fire Trees and Silver Flowers*, breaks free from the confines of a stage. They've transported the filming directly into the picture-perfect scenery of Hebei's famous cities and landscapes. Picture this: You're standing on the ancient walls of Zhengding, and you can hear the recitations echoing through time. You wander by a shimmering lake and find yourself immersed in the poetic romance. Fang Qiong's welcoming smile is paired with the classic elegance of Ouyang Fenqiang (Yes, Baoyu himself!), and Ren Zhihong's voice, like a rich, aged wine, resonates with a magnetic quality. These performers, in their very delivery, unfurl a scroll of history right before your eyes. Thirty-one hosts come together, not just reciting poetry but engaging in a cross-millennial conversation. From the tender emotions of family love to the grand heroism of patriotism, each word is like an ink drop landing on rice paper, coloring the romantic essence of Chinese modernization. When those familiar, timeless masterpieces blend with authentic ancient architecture and the dazzling lights of a modern city, the cultural impact is so overwhelming that you forget the noise around you. They're weaving the familiar into something fresh, and I'm really drawn to this concept.
播放线路
观影点评
If typical galas are boisterous hotpots, this Lantern Festival poetry gathering is more like a pot of tea gently warmed on the fire: subtle at first, with an enduring aftertaste. Its most brilliant quality lies in its "de-staged" approach, returning poetry to its roots—between mountains and rivers, within the bustle of the marketplace. I was thinking, when you see Ouyang Fenqiang in front of the camera, his elegance, honed by the passage of time, transports you back to that poetic era of flowing white robes. Ren Zhihong's reading is sheer auditory bliss; his voice is so profound it's as if it could bear the weight of the entire Taihang Mountains. This cultural relay, spanning three generations, isn't just a display of talent; it's a transmission of an aesthetic gene uniquely Chinese. What's really fascinating to me is its take on "reunion". It doesn't rely on surface-level celebrations, but through poetry, it connects the deepest longing we have for home and our aspirations for the future. The authenticity of being in real scenery makes poetry no longer just cold textbook words, but warm, breathing soulmates. It's more than just a performance; it's a spiritual cleansing, a chance to truly grasp the meaning of "Chinese romance" on this Lantern Festival night. 【电影介绍】一盏走马灯缓缓转动，映照出千年燕赵大地的古韵与今辉。这场名为《火树银花不夜天》的视听盛宴，彻底打破了传统晚会那种方寸舞台的束缚，直接把取景框搬到了河北那些美如画卷的名城景观之中。 你会在古色古香的城墙之上，听见跨越时空的低吟浅唱；也会在波光粼粼的湖畔，撞见诗词里描写的那种风花雪月。方琼那标志性的亲切笑容，搭配上欧阳奋强老师自带的古典文人气质，还有任志宏老师那如同醇厚老酒般的磁性嗓音，这些声音一出来，就像是把历史的画轴在你面前徐徐铺开了。 整整三十一位主持人齐聚一堂，他们不只是在简单的朗诵，更像是在进行一场跨越千年的灵魂对话。从细腻入微的儿女情长，到气吞山河的家国豪情，每一个字眼都像是落在宣纸上的墨滴，晕染出中国式现代化的浪漫底色。当那些我们耳熟能详的千古名篇，与真实的古建筑、现代的城市灯火交织在一起时，那种扑面而来的文化冲击力，真的会让人瞬间忘却周遭的喧嚣，只想沉溺在这场上元佳期的美梦里。 【观影点评】如果说一般的节日晚会是热热闹闹、火辣喧嚣的火锅，那么这场元宵诗会更像是一壶温在红泥小火炉上的清茶，初品觉其淡雅，回味却极悠长。它最动人的地方在于那种“去舞台化”的艺术处理，让诗词重新回到了它诞生的地方——山水之间，市井之内。 看着欧阳奋强老师站在镜头前，那种岁月沉淀后的儒雅，瞬间就把观众带回了那个白衣飘飘、诗意盎然的年代。而任志宏老师的朗诵更是整场演出的定海神针，他的声音厚重得仿佛能承载起整座太行山的重量，每一声停顿都充满了情感的张力。这种老中青三代播音艺术家的文化接力，不仅是在展示语言的魅力，更像是在传递一种独属于中国人的审美基因。 最让人惊喜的是，它把“团圆”这两个字写活了。它没有流于表面的欢庆，而是通过一首首诗词，把我们内心深处最柔软的乡愁和对未来的憧憬巧妙地勾连了起来。那种置身于实景之中的真实感，让原本躺在课本上的冰冷文字，变成了有温度、有呼吸、有灵魂的伴侣。这不只是一场视觉的享受，更是一次心灵的洗礼，让你在元宵之夜，真正读懂了什么才叫作高级的中国式浪漫。
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